Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea In Brazil

Rio de Janeiro - Brazil

Short Report

The site is an unusual urban setting encloses the important natural elements which have formed and have inspired the development of the town: from the highest points of the Tijuca to national parks the mountains to the sea. They also have the botanical gardens, founded in 1808, Corcovado mountain with his famous statue of Christ, and the hills all around of the Guanabara bay including the comprehensive sceneries sketched for it along the Copacabana bay which have contributed to the living culture of this sensational town. Rio de Janeiro also becomes for the artistic inspiration has recognized to musician, shovels and urbanists delivered.

Wonder Universal Importance

The town of Rio de Janeiro, educated by the interaction with mountains and the sea, has lain in the narrow one, robs to the alluvialen level between the Guanabara bay bay and the Atlantic. The extremely dramatic scenery is punctuated by a row of wooded mountains, that tower about the town, the highest point of the Tijuca of massif on 1,021 ms high, And below to the coast wavy falling where the precipitous wax candle forms of the sugar loaf (P ã o de ç ú car), Urca, Cara frame the C ã o and Corcovado the wide playground of the Guanabara bay bay which protects Rio de Janeiro of the Atlantic. Between the mountains and Guanabara bay the urban scenery of the town was formed by important historical events under influence of a variety of cultures, is looked by the big beauty and becomes in the arts, by the painting and poetry famedly in particular.

The property encloses all important natural, structural elements which have limited and inspiration for the development of the town. These stretch themselves from the highest points of the mountains of the Tijuca to national parks with his restored Atlantic wood, to the sea, and the botanical gardens in 1808, Corcovado mountain, with the statue of Christ, and the chain of dramatic precipitous hills, sugar loaf, Pico, and Glória yacht basin, Leme, about of the Guanabara bay, as well as the comprehensive sceneries sketched for it on regenerated along the Copacabana bay from which have contributed together with Flamengo and other parks, to the living culture of the town. The border encloses all best points to enjoy the nature, becomes a significant cultural part of the town, as well as the bay of the Guanabara bay system of the fortifications educated which gave the character of a strengthened town to Rio de Janeiro.

The thickest buildings of the town sit on the narrow one robbed of the alluvialen land between the mountains and the sea in irregular grapes of highly white blocks which contrast sharply with the green vegetation of the mountains and the blue of the sea. None of these buildings is enclosed in the property, but a big number are enclosed in the buffer zone.

The development of the town of Rio de Janeiro is formed by a creative mixture between the nature and culture. This exchange is not the result of running traditional processes, however reflects an exchange on the basis of academically, environmental ideas and design ideas which led to innovative developing scenery on a big scale in the heart of the town a little more than one century. These processes have to an urban scenery of the big beauty are led by many authors and travelers seen who has formed the culture of the town. The dramatic scenery of Rio de Janeiro has inspiration for many forms of the art, literature, poetry and music. Of image Rio, the bay, the sugar loaf and Christ the Einlöser statue have a highly global recognition factor since the middle of the 19-th century. Such high recognition factors can be positive or be negative: in the case of Rio is the image which was planned, and it is still planned, a fluctuating nice position for one of the biggest towns in the world.

Source:whc/unesco